Finn Juhl 'Japan' Lounge Chair, Model 137, for France & Søn Denmark, 1957
A Danish Modern Icon — Finn Juhl's Most Refined Expression of Sculptural Restraint
The Japan Chair is one of the most quietly authoritative pieces in the canon of Danish modernism — and one of Finn Juhl's most enduring designs. Conceived in 1957 as part of the Japan Series produced by France & Søn, it represents a deliberate shift in Juhl's practice: away from the sculptural complexity of his earlier work toward something more spare, more distilled, and ultimately more demanding to execute well.
The design takes its inspiration from the traditional Japanese Torii gate — the solid horizontal backrest, resting on subtly tapered legs, echoes the form of a Japanese temple door. The backrest floats clear of the frame, held by original brass bracket spacers — a detail that is both structural and philosophical, reflecting Juhl's conviction that the carried and carrying elements of a chair should remain visually distinct. At each end, the backrest finishes in a circular recess — a refined visual note that reflects Juhl's belief that the deviation is in the detail.
The solid teak frame is warm, precise, and beautifully resolved. The original brass fittings introduce a material contrast that feels entirely deliberate. Viewed from any angle, the chair holds its composure completely — there is no hidden side, no weak angle, no moment where the design loses its conviction.
Today, the Japan Chair remains one of Juhl’s most recognisable and sought-after lounge designs, valued by collectors for its purity of line and timeless presence.
The original maker's mark is present, confirming authenticity. Carefully restored in our workshop and newly upholstered, this is a piece in full presentation condition.
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Designer Profile — Finn Juhl (1912–1989)
Finn Juhl occupies a singular position in the history of Danish modernism. Trained as an architect at the Royal Danish Academy of Fine Arts in Copenhagen, he approached furniture not as a functional problem to be solved but as a sculptural discipline in its own right — self-taught as a furniture designer, and proud of it.
His early work, produced with master cabinetmaker Niels Vodder, established him as the most formally adventurous designer of his generation. His 1949 Chieftain Chair remains one of the most celebrated works of twentieth century design. He was the first Danish designer to achieve significant recognition in the United States, and in 1951 he designed the Trusteeship Council Chamber at the United Nations Headquarters in New York — a gift from Denmark to the world.
His collaboration with France & Søn from the late 1950s resulted in a series of pieces designed for broader production, among them the Japan Series of 1957 — which distilled his design language to its most refined and accessible expression.
Today the Japan Chair is produced exclusively by the House of Finn Juhl and commands significant prices both new and on the secondary market. An original France & Søn example, properly restored, is a genuine collector's piece.
All Vintage Club pieces are carefully considered for authenticity, provenance, and condition before acquisition. Restoration is undertaken in-house to the highest standard.
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