Vintage Danish Modern Teak Side Table with Rattan Shelf, Attributed to Søren Rasmussen, Denmark, c.1960s
Vintage Danish Modern Teak Side Table by Søren Rasmussen, Denmark, c.1960s
A beautifully balanced mid-century Danish teak side table, confidently attributed to designer Søren Rasmussen and made by Ærø Møbelfabrik., c.1950s.
The piece showcases Rasmussen’s signature architectural lightness—most notably the distinctive A-frame compass leg structure, elegantly expressed in solid teak, and the finely woven rattan lower shelf that adds both warmth and visual transparency.The raised gallery edge frames the top in a refined, sculptural line, while the single drawer, finished with a subtle carved pull, introduces a gentle organic detail characteristic of Rasmussen’s cabinetmaking vocabulary. The proportions are concise and functional, making it equally suitable as a bedside table, hallway accent, or living-room side table.
A timeless example of Danish modern craftsmanship, combining clarity of form, practical storage, and Rasmussen’s unmistakable sense of poise.
Designer: Søren Rasmussen, 1950s
Country of Origin: Denmark
Year: 1950’s
Producer: Ærø Møbelfabrik
Materials: teak and cane
Dimensions: h: 59cm w: 45cm d: 31cm.
Condition: Presented in very good vintage condition. It has been refinished.
The teak surfaces display an attractive, even tone with light wear consistent with age. The gallery top remains straight and well-constructed, and the drawer runs smoothly with a clean interior. The A-frame legs stand firm and stable, with all joints secure. A well-preserved example of this elegant model.Designer Profile: Søren Rasmussen (Denmark, 20th Century)
Søren Rasmussen was a Danish furniture designer and cabinetmaker active during the golden era of mid-century modernism. While less widely known than the major names of the period, Rasmussen produced a body of work distinguished by its architectural clarity, fine joinery, and restrained Scandinavian minimalism.
Working predominantly in solid teak, Rasmussen favoured light, elevated structures. His pieces were typically produced in small workshop settings rather than mass-manufactured lines, which explains the frequent absence of maker’s marks. Despite this, his work remains recognisable through its proportions, craftsmanship, and consistent design language.
Today, Rasmussen’s furniture is appreciated by collectors for its quiet elegance, craftsmanship, and honest materiality — hallmarks of the Danish modern tradition.
As with many quality Mid-Century pieces, this design thoughtfully pairs solid wood construction with a premium wood veneer—an approach widely used at the time to highlight beautiful grain patterns while ensuring lasting stability.
We try to capture the condition of our items in our photographs as best as possible. Prior to dispatch all items are carefully cleaned and re-coated with danish oil to ensure your item is looking its best when delivered.
